One Down, Many to Go
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I finished my first book of 2009 tonight and really enjoyed it. It was Postmodernist Fiction by Brian McHale and, sadly, I couldn’t write in it because it’s a library book. It’s pretty expensive to buy even used—around $40 for a fairly slim paperback. This is the only book I’ve read that tries to pin down postmodernist fiction and I guess McHale’s central thesis is fairly controversial. He argues that where modernist fiction was epistemologically based (trying to answer what humans ultimately can know), postmodernist fiction is ontologically based (focused on how humans experience life). The best analogy he uses is that modernist fiction is more or less like a mystery novel, where the protagonist tries to gather enough clues to piece together the Answer to the Mystery; postmodernist fiction is like a science-fiction novel, one that’s interested in revealing and describing different worlds (often a multiplicity of worlds).
Of course, there’s a whole lot more to it than that. Even though I haven’t read many of the authors McHale returns to repeatedly (Barthelme, Pynchon, Federman, Burroughs) I found myself continually being swayed by McHale’s points when he talked about authors I have read (Vonnegut, García Márquez, Borges), and I especially appreciated the significant crossover McHale sees between postmodernist fiction, science-fiction, the fantastic, and magical realism. So while it seems pretty clear that Barthelme and Pynchon are up to different things than Borges and García Márquez, McHale makes a pretty good case that they’re more similar to each other than to, say, Joyce and Hemingway.
Overall a very compelling read and, like the very best criticism/theory, it makes me think hard about my own writing.
The other thing I’m thinking very hard about is what to read on vacation. I got a ton of books for Christmas (go figure, books made up almost my entire list) and the initial plan was to stick with the criticism, namely Wendy Faris’ Ordinary Enchantments: Magical Realism and the Remystification of Narrative, Faris and Zamora’s Magic Realism: Theory, History, Community and then go on a Latin American binge: Isabelle Allende’s House of the Spirits, Julio Cortázar’s Hopscotch and Blow-Up and Other Stories, Carlos Fuentes’ The Death of Artemio Cruz, and Juan Rulfo’s Pedro Páramo. But the other side of me wants to read everything but the Latin American stuff so I can pitch that as an independent study next fall, and instead switch over to Octavia Butler’s Kindred, Italo Calvino’s Invisible Cities, Günter Grass’ The Tin Drum, Toni Morrison’s Song of Solomon, Ben Okri’s The Famished Road, and maybe whatever Salman Rushdie I might get as an early birthday present.
I need to bring at least five books. I’ve been burned time and time again bringing fewer and then steaming through them due to long flight delays, and having nothing to read on the way home. Better to come back with a book or two too many than to run out too soon. Although this time I think academic texts are a pretty good defense against voracious reading anyway…
Current Mood: Decisions, Decisions | ![]()
