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Yesterday I finished Vine Deloria’s Custer Died For Your Sins and Tom Disch’s Camp Concentration. I’m also about 1/3rd done with Moby Dick.
Deloria’s book is thought-provoking. Subtitled “An Indian Manifesto,” Deloria outlines how natives can be successful in claiming what’s rightfully theirs in modern American society. The chapter where he rakes anthropologists and academics over the coals was the best, where he bluntly says the reason why the Sioux are struggling isn’t because they are “warriors without weapons” (as one anthro catch-phrase says) but rather that they’ve been stripped of their resources and are poor, having no infrastructure from which to build an economic base.
More intriguing are his comments about the failure of Western culture as a whole (where the individual reigns supreme to the detriment of the society), Christians (for not practicing what they preach), politicians (for being lying bastards—both Dems and Repubs), and his pointed comments aimed at blacks and the Civil Rights movement. For a sample, Deloria says it would have been better for blacks to have been put on reservations after emancipation so they could have discovered their unique culture instead of being scattered across the country, each person trying to find that culture individually. Interesting and inflammatory stuff.
Disch’s
Camp Concentration was likewise a real brain churner but for different reasons. I’m really looking forward to discussing this one on Wednesday for class. The general idea, without spoilers, is that the US is engaged in global war and we’re experimenting with bio-warfare, including injecting a group of guinea pig prisoners with a syphilitic parasite that turns the recipient into a genius but also (oops!) kills them. Saying too much would almost certainly spoil the ending, where Disch turns the whole story inside out. It’s not gimmicky nor is it a trick, and I didn’t see it coming at all. I found it dragged a bit about 3/4ths through and found myself expecting the ending to redeem the slow part; it did.
Trust nobody’s opinion but your own: that’s the lesson I’ve learned regarding classics. I’ve rarely heard a nice word spoken about
Moby Dick; I’d even heard that it was a long-winded Christian allegory, and that’s enough to make anyone shudder. Melville’s work is nothing of the sort. Sure, there’s a lot of Christianity thrown around but c’mon, it’s a 19th-century novel. It’s not like it’s an overly long
The Old Man and the Sea or anything (which Hemingway mercifully kept short.)
The long digressions away from the central story do sap the patience a bit—the sections where Ishmael defends whaling as a noble profession and, worse yet, the “cetology” chapter (the science of whales) were hard to get through—but that doesn’t take away from ominous undertow Melville’s worked in. Queequeg is an awesome character, never mind that he’s a composite of about a dozen different races. The obsessed Ahab is more understated than I expected.

Remember
Pocket Classics? These were classic books cut down for the juvenile reader and dotted with illustrations. We had a bunch of them, including
A Connecticut Yankee in King Arthur’s Court and
Moby Dick. I’d like to get my hands on one again because, some twenty years on, it seems like they were remarkably well done. I vividly remember the illustrations of Queequeg in his Ramadan trance and Ahab nailing the gold doubloon to the mast.

And how’s about this for an endorsement from your new boss:
Ronaldo is not fat. He’s just big-boned.
Current Mood: Neutral | 
Currently Listening To - Joe Strummer - “Earthquake Weather”