Clarion vs. Grad School
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I’ve been thinking about the different experiences of attending Clarion and completing my MA in Creative Writing. Not surprisingly, they’re very different experiences, and both have been overwhelmingly good experiences. For me at least. And I should say that I had a great (and successful) Clarion class and that I’ve found my grad program at UW-Milwaukee to be very open to speculative fiction. Results may vary, but I thought I’d share what I think each does well.
Clarion is, of course, the famed six-week sci-fi and fantasy writing workshop that’s helped launch many a pro career (my reflections on Clarion one year after coming home can be found here.) One of the things I heard from instructors at Clarion was that it beat the pants off creative writing courses offered at universities. I agree 100%, but my experience is that this says more about Clarion than university workshops. What Clarion does that a university cannot replicate is the sense of pressure Clarion puts on students. It’s writing, reading, and critiquing non-stop for six weeks, five days a week. You begin to smell story problems from a mile off. You see annoying mistakes in your classmates’ work that mirror mistakes you’re also guilty of making. You must put words on paper, especially when you don’t feel like it. There is no coming up for air. It’s story, story, story, and then when you think you’ve had enough, you get a double-helping of story. Slow, steady pressure turns coal into diamonds. I think Clarion works the same way.
The other biggest benefit of Clarion is the emphasis placed on publishing. Or at least submitting stuff for publication. The message was that you’ve got to send stuff out, the more the better. And until you’re doing this on a regular basis, you’re kind of spinning your wheels. In order to be a professional writer, you need to sell things. Don’t kid yourself. You will get rejected a lot. That’s part of the game and it takes a lot of patience. If you can’t deal with that, get into another business.
These strengths highlight some of the weaknesses I perceive in the grad school program. The instructors and classmates I have had are every bit as adept at pulling apart stories but there’s not that sense of pressure. Over a 14-week semester, each student puts out two stories for critique. Compare that to Clarion, where in six weeks most people put out five or six. In school, we meet once a week to kick around fiction writing. In Clarion, it was every day. Universities can’t replicate that kind of intensity, and that’s okay. Grad school has other things going for it.
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